Tuesday, November 27, 2007

THIS ASCENSION - Sever

Best known for heavenly vocals from their lead singer Dru, the alternative rock band This Ascension has just released their fourth album on Tess Records. The label says it best: "This Ascension blends shimmering synthesizer and guitar sounds with an uncommonly complex and powerful rhythm section, layered with dynamic, heavenly vocals." Their international acclaim resulted initially from 1992 MTV-Europe's 120 Minutes airing of the stunning and surreal video that accompanied "Ill Met By Midnight" which gave their second album immediate acclaim. This Ascension's gothic-like alternative rock music achieves a worldly sound fusing lush instrumentation and soaring female vocals with moody acoustic effects.

Again laced with layer upon layer of Dru's soaring vocals, this time with even heavier guitar parts and more varying lush accompanying instrumentation, the new album is entitled Sever (Tess 13, 1999). Originally planned for completion in August 1997, the band worked for an additional year and a half on the project to create a 50-minute album with 13 melodic tracks including one remix. It is a natural, yet highly progressed, follow-up to Light and Shade (Tess 3, 1991) and Walk Softly, A Dream Lies Here (Tess 7, 1994) as well as their debut album Tears in Rain (Tess 2, 1989), which is in the process of being reissued by the label.
The album's tracks vary between soaring gothic vocal excursions and heavy, very metal, guitar riffs. At times the vocals are way up—in your face—but it is equally likely to find them buried way under a lush instrumental melody or bridge. Lyrics are generally difficult to understand strictly by listening—the vocals have been mixed more as an additional instrument and when they soar, they carry the track's melody, but the clarity we have heard from a couple of other artists is heavily subdued. The attractive and well-produced artwork accompanying the CD contains a full transcription of the lyrics for listeners that want to learn the words.
Harmonies are either provided by the other artists or by multi-tracking Dru's voice and both methods work quite well. A balance is achieved between vocal elements, samples and instrumentals, each soaring to equal effect during their respective parts in the individual tracks. Dru's climbing vocal excursions set This Ascension apart from other artists operating in or near this genre, e.g., Love Is Colder Than Death, Love Spirals Downwards, Claire Voyant, XVII Vie and Stella Maris. Only Chandeen and Single Gun Theory have an added level of vocal clarity to the lyrical portions of their music.
This Ascension's music is highly complex and worldly in texture. Like progressive music, it will likely take listeners a few sessions with the album to become familiar with the sound and sequence of the individual tracks, making individual melodies hard to recognise until hearing them several times over. Typical of this style of music and the artists that surround the Hyperium, Projekt, Tess and other alternative rock heavenly vocal labels, this type of music is highly enjoyable, but it requires exposure, education and patience to fully appreciate.
Sever, like This Ascension's earlier albums, is just so complex in its composition and arrangement that it takes a good deal of concentration to comprehend, and repeated listenings to become familiar with what's been played and what's to come next on the album. The album is almost devoid of the memorable melodies that would be found in a more accessible rock album with their hook-like choruses.
The production quality of Sever is very rich with lush instrumentals and processed or multi-tracked vocals being used to great effect along with effects to paint dramatic musical soundscapes. Unlike the garden variety rock and pop, or even a progressive band, This Ascension's complex arrangements create a whole mood within each track fusing an effective combination of effects, instrumentals and vocals. "Fatal Dawn" and "Columba Aspexit" serve as two wonderful examples of this fusion.
"Dorado" is one of two dramatic instrumentals found on the album. Although samples are used to create textures throughout the work, here effects join highly rhythmic percussion and powerful guitar and synth to create a song of large proportions and vast depth fully illustrating the individual artists' talents. Equally powerful guitar work and other instrumentals are found in the other stunning instrumental "Amalopa." In contrast, "Serpents Serenade" is very heavy, electric, metal, with thick percussion yet a serious multi-tracked vocal part with an almost rap style balances the song out.
"Here Again" is one of the most memorable tracks on the album with its highly accessible basic tune, light (for this album) instrumental and harmonious chorus. Another is the much more orchestrally instrumental "Love Lost Years" which is monumental in the lushness of its moving arrangements and features some of the most dramatic vocal passages on the album while effectively integrating the styles of the songs that precede it into a mega-concluding number. A final almost dance-oriented worldly percussive remix of "I Wish" works well, although we prefer the standard mix played several tracks earlier, and actually closes the CD.
Sever is certainly the most accomplished work from This Ascension featuring a broad range of alternative rock tunes that illustrate the band's virtuousity in every way. The second half of the album works slightly better than the first in its diversity, range and depth of the individual tracks. With repeated listenings, this complex album like the band's earlier recordings, it is sure to attract and entice many listeners of the this ever-expanding genre. With an extensive touring schedule and the massive acclaim of their live performances, This Ascension should be sought out in a concert venue. Their new album has truly been worth the wait and should be sought out as it is a highly enjoyable listen

1. fuego cayendo
2. mysterium
3. forever shaken
4. serpent’s serenade
5. dorado
6. fatal dawn
7. columba aspexit
8. interlude
9. i wish
10. amapola
11. here alone again
12. love lost years i wish remix
Genre(s) : Ethereal , Gothic

Monday, November 26, 2007

PHIL SHOENFELT & SOUTHERN CROSS - Dead Flowers For Alice




Genre(s) : Gothic , Alternative
Style : Nick Cave

Friday, November 23, 2007

LISA GERRARD - Duality


Lisa Gerrard comprised one-half of the Australian duo Dead Can Dance, from the early 1980s until 1996. When she and bandmate Brendan Perry disbanded the group, Gerrard embarked upon a dual career as a solo artist and soundtrack composer. Her solo work is characterized by dreamy, ethereal and often orchestral music accompanied by Gerrard's other-worldly vocals and spiritual lyrics. Impeccably produced, these releases are evocative of medieval and prehistoric musical forms, and showcase Gerrard's skills at adapting her voice to different languages and her fascination with exotic instruments and world music. Her albums are often described by critics as being similar to New Age music, and have drawn comparisons to the music of Irish songwriter and singer Enya. She may have invited this comparison when she stated on her offical website that "music is a place to go to take refuge," and added, "It's a sanctuary from mediocrity and boredom. It's innocent and it's a place you can lose yourself in thoughts and memories and intricacies."

Bourke's contributions to Gerrard's music grew into a full-blown collaboration on her follow-up album, Duality, on which he received joint credit. According to the record label 4AD website, Gerrard invited Bourke to engineer and play percussion on a track she was recording at her home studio in Australia. After recording two songs, Gerrard explained: "We were collaborating more and more in the writing area.... And it became very interesting to us because we discovered that most of the things that I am not good at, Pieter was, and most of the things he doesn't endeavor upon are my area. It was interesting to see how strong we were, because it was such a good match." Bourke added: "I thought I'd be working for maybe three weeks.... And we spent a year doing it, working really, really intensely for that period of time." Summing up the experience, Gerrard added that "the unique quality of the situation is that we were able to find such a gentle equilibrium, an unspoken common ground that allowed us to be liberated by what we were making and not ashamed, not afraid."
While recording the soundtrack to the film Gladiator, Gerrard met Irish classical composer Patrick Cassidy. "We just clicked," she stated on her website. "We discovered a shared love of music and stories and poetry and of music as a way of telling a story." The two arranged to spend two months recording together in Australia, resulting in the 2004 release Immortal Memory. The album "grew out of 'the desire to bring things from the ancient world into the contemporary world,'" Gerrard explained to Boston Globe reporter Joan Anderman. "We've got a 6,000-year-old poem on the album, and it still resonates with the same compassion and beauty." For that song, "The Song of Amergin," she learned to speak Gaelic phonetically. She also sang "The Lord's Prayer" in Aramaic. "Elegy" is a composition that Gerrard intended to use as part of the soundtrack for Gladiator. Intended for the scene in which Maximus, played by Russell Crowe, dies, the piece is given a fleshed-out arrangement that might have lost its full impact had it been edited for a soundtrack. Another of the pieces, "Sailing to Byzantium," was inspired by a poem of the same name by William Butler Yeats. The album prompted Stylus magazine critic Gentry Boeckel to comment: "The composer of these sacred interpretations, from the first words spoken by an Irish mortal to 'Come Lord' mantras and Yeats couplets, is established Celtic orchestrator Patrick Cassidy. The ageless, transient voice is of veteran ex-gother and Australian siren Lisa Gerrard. The feelings Immortal Memory produces are those that accompany the most emotional of sand, sword, and Bible epics. By capturing moments of ancient past, Gerrard and Cassidy have somehow created something timeless through set-in-stone permanence."
While critics and diehard Dead Can Dance fans admired her solo efforts, Gerrard found a wider audience as a soundtrack composer. Her work has appeared on soundtracks for the Michael Mann films Heat, The Insider, and Ali; the Ridley Scott films Gladiator and Black Hawk Down; and in Mission Impossible 2, Whale Rider, and The Passion of the Christ. She won a Golden Globe Award for her work on Gladiator.
Gerrard explained her personal creative journey on the 4AD website, commenting, "Ultimately, in doing the work, you draw upon something that is the river of life that you possess.... Music has a voice inside it that calls you, and you know that this is your work, this is what you must do. It doesn't differ, project by project---that's the way you work."

1 Shadow Magnet 7:54
2 Tempest 5:49
3 Forest Veil 2:31
4 The Comforter 1:26
5 The Unfolding 4:35
6 Pilgrimage of Lost Children 3:48
7 The Human Game 6:56
8 The Circulation of Shadows 1:56
9 Sacrifice 7:47
10 Nadir (Synchronicity) 3:02

Wednesday, November 21, 2007

TROBAR DE MORTE - Fairydust

The Spanish act Trobar de Morte makes fairy-like music, which brings you in a pleasant dreamy state. Or, in their own words, they lead you to a world “where fairies exist, and beautiful, deep forests prompt a return to a non-existent medieval era. There, where the witches dance around the bonfire and share their desires with the night and the stars, where the sea whispers the secret name of the wind, and the moon lulls us to sleep with its sweet lullaby…all of this breathes life into Trobar de Morte”.
Central member of the group is Lady Morte, who founded Trobar de Morte in 1999. In the following year she put the project on hold for a while, when she founded the neo-classical/medieval formation Ordo Funebris, together with members of Sathorys. This group did not last very long (though released two fine albums), so in 2002 Lady Morte continued where she had left with Trobar de Morte. At first she only used keyboards and samplers, but soon other musicians like a drummer and guitarist joined the project.
In 2003 the mini-cd ‘Nocturnal Dance of the Dragonfly’ came out, followed at the end of 2004 by the album ‘Fairydust’ (self-released in an edition of 1000 copies). The music has vague echoes of Loreena McKennit and Hagalaz’ Runedance ­ ethereal female vocals, strumming guitar chords, floating synths, occasional bird sounds, bells and tribal drums. The lyrics (in English, Spanish and Gaelic) deal with elves and ancient pagan customs.
At times the music sounds a little too anonymous, but especially the songs with a more forceful rhythm (like ‘Ordo Militum Christi’ en ‘Cuncti Simus Concanentes’) leave a lasting impression. In general I find this a most charming album. On stage (like at the Wave Gotik Treffen) Trobar de Morte is also very enjoyable (if you don’t mind elves’ ears and Robin Hood costumes). On their website (under ‘merchandise’) you can listen to fragments of some songs.



Download

Genre(s) : Medieval, Ambient , Neoclassical

Tuesday, November 20, 2007

SANGUIS ET CINIS - Madrigal


Sanguis et Cinis are an Austrian gothic foursome that plays music that is similar to Switchblade Symphony's: gothic guitar rock with lots of synth and electronics.





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Genre(s) : Gothic

Monday, November 19, 2007

CORPUS DELICTI - Best Of

Corpus Delicti - their name, as their music, evokes images of the darkness within the human soul, and human society. For almost five years they have been solidly building a reputation as one of the most influential bands of the new gothic scene. Sounding true to their heritage, yet not like a slavish clone band. Corpus Delicti have made an indelible impression upon the ears and minds of all who have been fortunate to see them perform, or hear their music

Ranging from powerful goth rock tracks with atmospheric guitars to dark goth rock ballads to foreboding slow-paced keyboard fare, this album is full of emotive male vocals, powerful processed guitars, driving drums, and atmospheric keyboard touches. Standout tracks include 'The Awakening', 'Dancing Ghost', and 'Lies Spoken'

Genre(s) : Gothic Rock

Thursday, November 15, 2007

NICK CAVE - Your Funeral My Trial

Nick Cave digs even deeper into his personal obsessions here than on the previous THE FIRSTBORN IS DEAD. While FIRSTBORN's ominous bluesiness is still represented on the title track and "Long Time Man," the balance of this album sounds decidedly more European. It was here that Cave's Gothic troubadour persona really began to take shape. He takes the role of the grim storyteller on the album's strongest track "The Carny" (featured to fine effect in Wim Wenders' film WINGS OF DESIRE, in which Cave also appears as himself) and "Stranger Than Kindness." There's a gauzy, almost supernatural feel to YOUR FUNERAL, evocative of the classic Hammer horror films--classy and expertly constructed, but undeniably disturbing.




1. Your Funeral My Trial
2. Stranger Than Kindness
3. Jacks Shadow
4. TheCarny
5. She Fell Away
6. Hard On For Love
7. Sad Waters
8. Long Time Man
9. Scum



















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Wednesday, November 14, 2007

SEVENTH HARMONIC - The Awakening

Diversity, passion, originality in darkness could be easily attributed to Seventh Harmonic an english female band comin, gathering some performances here and there reserved but still developing its sounds.Their second full lenght album ' Promise of sacrifice ' is established into Dead Can Dance 's spirit, but also into some gothic standards or Prikosnovenie's ones - can think of Rajna's realms as for an example. Caroline, Eilish, Kate - new member since 2001 as a dulcimer player and vocalist - and Fionna distil a mysterious, strange overwhelming liquor into their still.in some experimental musical laboratory. liquor made of various ingredients :
a sprinkle of neoclassical tunes
a pinch of ethnic sounds
from celtic to arabic or hinduist ones
some drops of intimate acoustic guitars, strenghtened by Eilish's melancholic violin
some electronic loops flirting with trip-hop and ritualistic atmospheres, remembering Hagalaz Runedance's pagan horizons. This sensual and emotional liquor distilled into our veins a strange veil of serenity and anxiety in the same time.maybe cos of the ingenious work made on the vocals : most of the time ethereal, but also with gregorian chorus, frightening whispers and tibetan prayers.



1. Angel Tears
2. Each Hour
3. Oceanus
4. Buried Dreams
5. Tireansamraidh
6. The Last Goodbye



Download : SEVENTH_ARMONIC_The_Awakening.rar

Genre(s) : Ethereal , neoclassical

Tuesday, November 13, 2007

DAWN DESIREE - Dancing, Dreaming, Longing

Best known for her vocal and writing contributions to the now defunct atmospheric heavy metal group, Rain Fell Within, Dawn has been concentrating on her own solo work for the past several years. In 2001 Dawn published her first debut release as a limited edition CDR production through The Fossil Dungeon. Sold-out quickly, this release gathered Dawn a spot on Zillo Magazine's "Heavenly Voices" compilation series and fostered many wonderful reviews among publications and fans of ethereal and vocal music worldwide. In 2004, Dawn's first full-length solo debut, "Dancing, Dreaming, Longing..." witnessed her collaboration with the Riddick brothers (The Soil Bleeds Black) in creating an exhibition of Dawn's angelic soprano voice accompanied by a myriad of ethereal piano compositions, electro-pop, darkwave, and ethnic influences painting a rich cascade of emotional depth. Aside from her partnership with The Fossil Dungeon, Dawn is also working with album producer Lance Bendiksen, known for his work with artists like Sara McLachlan, The Cowboy Junkies, The Pretenders, and INXS. Dawn has also showcased her voice with various guest appearances in other bands such as Witch-Hunt (death metal) and The Soil Bleeds Black (medieval music). She has worked alongside other notable musicians like Mary of Garden of Shadows (heavy metal) and Jennifer of Autumn Tears (neo-classical).





1) Waltz of the Afterlife

2) Dance In Time

3) What is Real

4) Revenge

5) Plastic Girl

6) How We Portray

7) Feel Me

Monday, November 12, 2007

DARK SANCTUARY - Les Memoires Blessees




This album was released in early 2004 and confirmed Dark Sanctuary's own style while providing a deeper maturity, as well as new musical horizons.

01 - La Clameur du Silence
02 - Présence
03 - D'une Mère à sa Fille
04 - L'adieu à l'Enfant (1)
05 - L'adieu à l'Enfant (2)
06 - Abre los Ojos
07 - A quoi bon ?
08 - Laissez moi Mourir
09 - L'emprisonnée
10 - Puisses-tu...
11 - L'instant Funèbre
12 - Perdition
13 - Les Mémoires Blessées
Genre(s) : Dark Atmospheric

Wednesday, November 7, 2007

MIDNIGHT SYNDICATE - Vampyre

1. Awakening
2. Graveyard
3. Unhallowed Ground
4. Crypt of the Forsaken
5. Winged Fury
6. Blackest Rose
7. Ravages of Time
8. Catacombs
9. Unseen Eyes
10. Undead Hunters
11. Ancient Tomes
12. Dusk
13. Spectral Masquerade
14. Vampyre


Download : MIDNIGHT_SYNDICATE_-_Vampyre.rar
Genre(s) : Neoclassical, Darkwave, Requiem

Tuesday, November 6, 2007

LYCIA - Estrella

Lycia should be considered one of the most important acts in goth rock, but has not yet gotten the publicity it deserves. With the re-release of Estrella, these wrongs can finally be corrected. Lycia starts out Estrella with “Clouds in the Southern Sky”, a very ethereal, instrumental track that meshes well with the backdrop for “El Diablo”. “El Diablo” showcases the haunting vocals of Tara Vanflower even as the instrumentation on the disc simultaneously strives for organic and inorganic perfection. Tara plays the role of the flag-girl during a dragrace (in all those crappy 50s teen movies) as this dynamic tension fuels greater and more impressive constructs. This album was originally released in 1997 and the general sound present during tracks like “Silver Silver” really reflects that. “Silver Silver”, as with a number of other tracks on Estrella, looks towards the dominant ethereal paradigm and really make a beautiful go at it. The incorporation of an atmosphere, bleak and dark as it may be during “The Kite” really shows the psychological dominance of Lycia throughout; much like tribal rhythms played on drums, a listener’s psyche is changed throughout. Lycia’s sound might be a little dated, but what the music on Estrella does has not changed in the near-decade since the album was first released.

1. Clouds In The Southern Sky
2. El Diablo
3. Tainted
4. Tongues
5. Estrella
6. Dome
7. Silver Sliver
8. The Canal
9. The Kite
10. Orion
11. Distant Fading Star

Download : Lycia.rar

Thursday, November 1, 2007

Novocaine Mausoleum - Demo {2006}


From Moscow, Novocaine Mausoleum is:
Gleb: Bass, Programming
Anna: Vocals
Alexander: Guitar, Organs

1. Ludicrous Clown
2. Ballet for the Masses
3. Korolenko 20 A
4. Absurd Promenade
5. Elusive Imagination
6. Night (V.Mayakovsky 1912)

Genre(s) : Gothic , Post Punk